Pink Floyd: The Wall (25th Anniversary Deluxe Edition) | 
enlarge | Director: Alan Parker Actors: Bob Geldof, Christine Hargreaves, James Laurenson, Eleanor David, Kevin McKeon Studio: Sony Category: DVD
List Price: $17.98 Buy New: $11.59 (On sale from $11.63) You Save: $0.04
New (42) Used (17) Collectible (1) from $9.59
Sales Rank: 902
Format: AC-3, Color, Dolby, DVD, Widescreen, NTSC Languages: English (Unknown), English (Original Language) Rating: R (Restricted) Region: 1 Discs: 1 Running Time: 95 Minutes Shipping Weight (lbs): 1.2 Dimensions (in): 7.3 x 5.5 x 0.4
MPN: SMVD58163D ISBN: 0738904902 UPC: 074645816395 EAN: 9780738904900 ASIN: B0006ZE7G2
Release Date: January 25, 2005 Availability: Usually ships in 1-2 business days
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| Editorial Reviews:
Product Description Driven to the edge, a burned-out rock star recalls the often traumatic events that shaped his life.
Amazon.com By any rational measure, Alan Parker's cinematic interpretation of Pink Floyd: The Wall is a glorious failure. Glorious because its imagery is hypnotically striking, frequently resonant, and superbly photographed by the gifted cinematographer Peter Biziou. And a failure because the entire exercise is hopelessly dour, loyal to the bleak themes and psychological torment of Roger Waters's great musical opus, and yet utterly devoid of the humor that Waters certainly found in his own material. Any attempt to visualize The Wall would be fraught with artistic danger, and Parker succumbs to his own self-importance, creating a film that's as fascinating as it is flawed. The film is, for better and worse, the fruit of three artists in conflict--Parker indulging himself, and Waters in league with designer Gerald Scarfe, whose brilliant animated sequences suggest that he should have directed and animated this film in its entirety. Fortunately, this clash of talent and ego does not prevent The Wall from being a mesmerizing film. Boomtown Rats frontman Bob Geldof (in his screen debut) is a fine choice to play Waters's alter ego--an alienated, "comfortably numb" rock star whose psychosis manifests itself as an emotional (and symbolically physical) wall between himself and the cold, cruel world. Weaving Waters's autobiographical details into his own jumbled vision, Parker ultimately fails to combine a narrative thread with experimental structure. It's a rich, bizarre, and often astonishing film that will continue to draw a following, but the real source of genius remains the music of Roger Waters. --Jeff Shannon
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