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Those Magnificent Men in Their Flying Machines | 
 enlarge | Director: Ken Annakin
Actors: Stuart Whitman, Sarah Miles, James Fox, Alberto Sordi, Robert Morley
Studio: 20th Century Fox
Category: DVD
List Price: $14.98
Buy New: $6.15
You Save: $8.83 (59%)
New (44) Used (19) from $5.49
Sales Rank: 4042
Format: Anamorphic, Color, DVD, NTSC
Languages: English (Unknown), English (Subtitled), Spanish (Subtitled), English (Original Language), French (Original Language), Spanish (Original Language)
Rating: G (General Audience)
Region: 1
Discs: 1
Aspect Ratio: 2.20:1
Running Time: 138 Minutes
Shipping Weight (lbs): 0.3
Dimensions (in): 7.5 x 5.3 x 0.6
MPN: 24543112044
UPC: 024543112044
EAN: 0024543112044
ASIN: B00014NEX0
Release Date: March 16, 2004
Availability: Usually ships in 1-2 business days
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Description
This extraordinary comic version of the historic 1910 London-to-Paris air race features the greatest aviators from around the world. They all come together when a stuffy, but very rich, newspaper publisher decides to sponsor an airplane race across the English Channel. Convinced it will give his newspaper worldwide publicity, the publisher offers 10,000 pounds to the winner. The escapades between the American, British, French, German, Italian and Japanese teams result in the most darling and hilarious in-flight acrobatic stunts ever caught on film. But the film's greatest triumph is the amazing re-creation of the vintage airplanes which did the actual flying.
Amazon.com
An air race from London to Paris provides the premise for this marvelous comedy, which features thrilling aerial photography and some stupefying stunt flying. It's set in 1910, when the (lovingly re-created) airplanes of the period were likelier to sputter and crash than they were to go in a straight line. The international contest requires an international cast, including Stuart Whitman as a cowboy American interested in the ladylove (Sarah Miles) of an English ace (James Fox). Alberto Sordi and Gert Frobe represent the Italian and German nations; Terry-Thomas plans frightful sabotage for race day. From the jaunty opening song and the great opening-credits drawings by Gerald Searle onward, the movie has a pleasingly breezy tone that sits well with the meticulous flying sequences. This is a delightful example of a certain kind of internationally flavored film of the period, somewhat similar to The Great Race, released the same year (1965). --Robert Horton
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